The New Guard Literary Review—"On the Corner of Powell and Cesar Chavez" in 2020

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The Lyre, Greensboro College Literary Journal—"The Cries of One Crow" "Autumn Aubade" "Lament of a Bare Branch" "Her Face, Crimson Petals" and "France Etude" in 2020

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Headline Poetry and Press—"My Sorrow is My Sorrow" in 2020

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Las​caux Review—"When You Are Invisible, You Can Say Anything" in 2019

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Rattle—“We Speak of August” in 2010 “Morning at the Welfare Office” in 2016 and “A Thousand

Possible Clouds” in 2017 "It's a Sad Story" in 2020

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Lunch Ticket Special: Celebrating 20 Years of Antioch’s MFA in Creative Writing—“We Speak of August” and “Morning at the Welfare Office” in 2017

 

As It Ought to Be, Blog—“We Speak of August” in 2016 

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Mudfish—“Hotel Aubade” in 2014

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Corners of the Mouth: A Celebration of Thirty Years at the Annual San Luis Obispo Poetry

Festival,  Kevin Patrick Sullivan, editor— “The Cries of One Crow” in 2014​

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Nuclear Age Peace Foundation Website—“The Cries of One Crow” in 2011

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Work Zine—“At the Cherimoya Packaging Plant” in 2010  

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Cutthroat Journal of the Arts, chosen by Dorianne Laux—“France Etude” in 2009

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Best American Poetry, Blog, chosen by Mark Strand—“American Meditation” in 2008

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Kakalak, an anthology of North and South Carolina writers—“Her Face, Crimson Petals” in 2008

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NothingButRed, an anthology about violence against women, Lulu.com Press— “Her Face, Crimson Petals” in 2008

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Solo Café 2— “Dark Red Leaves” in 2008

 

Chelsea—“Autumn Nocturne” “Wintering” “At Edward Hopper’s Self-Portrait” and “Dark Red Leaves” in 2007 

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Poets Against War published online by Sam Hamill—“Baghdad Ghazal” in 2005

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The Lyre, Greensboro College Literary Journal—“Drummer Elegy” and “The Last Cumulus Cloud in Texas” in 2005

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Ekphrasis Journal—“Sheep Study” and “Nude with Mirror” in 2004

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MARY Journal—“Lament of a Bare Branch” and “Shadows in Gold” in 2004   

 

Brooklyn Review—“Old Underwear” in 2004

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Crab Orchard Review—“City of Fire” in 2001

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Slipstream—“The Shape of Jellyfish Flying” in 2001

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Crimson Crane, literary journal of Antioch University Los Angeles—“All These Winters” in 2001

  

Wilshire Review—“At the Cherimoya Packaging Plant” in 2000

 

Voce Piena—“City of Fire” in 2000

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Curious Rooms, Smashing Icons—“I’m Sick of Lyn Lifshin” in 1999

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Art/Life—“A Thousand Daughters” in 1997 and “Constellations” in 1999

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Beyond the Valley of the Contemporary Poets, Valley Contemporary Press—“House of No Husband” and “Definitions of Grace” in 1999

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Blue Collar Review, Journal of Progressive Working Class Literature—“Definitions of Grace” “The Boning Knife” and “Helping Pearl” in 1999 

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Nimrod, chosen by W.S. Merwyn—“The Boning Knife” “A Thousand Daughters” “Valentina” “Constellations” “The First Time I Understand Hunger” and “Simple Gifts” in 1997

         

Santa Barbara Independent— “Halloween 1965” in 1993 and “Learning to Pray” in 1997

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Blue Satellite—“After Breakfast” in 1995 and “Dance of Years” in 1996

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Red Tiles, Blue Skies, More Tales of Santa Barbara, John Daniel and Company Publisher— “Some Evening” in 1996

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Rivertalk '95—"At the Kitchen Sink" and "Crossing the Freeway"

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Wind Magazine—“Definitions of Grace” in 1995

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Paper Radio—“Cancer and Weather” in 1995   

 

Verve— “Sunday Morning” in 1993 and “Crossing the Freeway” in 1995 

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Retooling for Renaissance in the 3rd Millennium, Poetry Anthology—“Camellias” and “Carpinteria Beach in October” in 1995

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The Hiram Poetry Review—“Reds, Purples, Blues” in 1993  

   

Two Twenty-four Poetry Quarterly—“Natural Predator” and “Halloween 1965” in 1992

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Sparrow Octaves, chapbook,

Birch Brook Press, 2005

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A Certain Piece of Sky, chapbook,

Mille Grazie Press, 1996​